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      <image:caption>A Money Rock, de la série Great Bear Money Rock, 2019. Photographie, dimensions variables. Photo: Tsēmā Igharas. Commandée par MOMENTA Biennale de l’image et la Toronto Biennial of Art. © Tsēmā Igharas</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>The Garden of a Former House Turned Museum, 2021. Vidéo HD, couleur, son, 20 min 42 s. Interprètes: Sarah Albu, Ruby Kato Attwood, Talia Fuchs, Elizabeth Lima. © Chloë Lum et Yannick Desranleau</image:caption>
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      <image:caption>Hashtag Tmícw, 2014. Peinture d’arpentage, SecwepemcúÍecw. © BUSH Gallery</image:caption>
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      <image:caption>From My House to Yours, 2021. Photographie numérique. Photo (Caroline Monnet): Ulysse del Drago. Photo (Laura Ortman): Amy Schiappa et Laura Ortman. Design: Sébastien Aubin. © Caroline Monnet et Laura Ortman</image:caption>
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      <image:title>CONVERSATIONS - VICKY SABOURIN — CARNET DE PLAGE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Photo: Alphiya Joncas</image:caption>
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      <image:caption>On me voit ici en train de photographier un de mes coquillage en céramique au bas d’une dune à l’abord de la route.</image:caption>
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      <image:title>CONVERSATIONS - VICKY SABOURIN — CARNET DE PLAGE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>CONVERSATIONS - VICKY SABOURIN — CARNET DE PLAGE</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>CONVERSATIONS - VICKY SABOURIN — CARNET DE PLAGE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>CONVERSATIONS - VICKY SABOURIN — CARNET DE PLAGE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>CONVERSATIONS - VICKY SABOURIN — CARNET DE PLAGE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>CONVERSATIONS - VICKY SABOURIN — CARNET DE PLAGE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>CONVERSATIONS - VICKY SABOURIN — CARNET DE PLAGE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>CONVERSATIONS - VICKY SABOURIN — CARNET DE PLAGE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709296-PUGT2CBOGI1OKE8U1T17/VickySABOURIN_beachSTILL_LIFE.jpeg</image:loc>
      <image:title>CONVERSATIONS - VICKY SABOURIN — CARNET DE PLAGE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>CONVERSATIONS - VICKY SABOURIN — CARNET DE PLAGE - Make it stand out</image:title>
      <image:caption>Égoportrait</image:caption>
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      <image:title>CONVERSATIONS - VICKY SABOURIN — CARNET DE PLAGE - Make it stand out</image:title>
      <image:caption>Chris</image:caption>
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      <image:title>CONVERSATIONS - VICKY SABOURIN — CARNET DE PLAGE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>CONVERSATIONS - VICKY SABOURIN — CARNET DE PLAGE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>CONVERSATIONS - VICKY SABOURIN — CARNET DE PLAGE - Make it stand out</image:title>
      <image:caption>Alphiya Joncas a photographié Vicky et Chris au tout début de la résidence.</image:caption>
    </image:image>
    <image:image>
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      <image:title>CONVERSATIONS - VICKY SABOURIN — CARNET DE PLAGE - Make it stand out</image:title>
      <image:caption>Le Graffiti, image finale de la série Sugar Cakes (2021)</image:caption>
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      <image:title>CONVERSATIONS - VICKY SABOURIN — CARNET DE PLAGE - Make it stand out</image:title>
      <image:caption>L’image fut présentée en collage documentant l’installation.</image:caption>
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      <image:title>CONVERSATIONS - VICKY SABOURIN — CARNET DE PLAGE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>CONVERSATIONS - VICKY SABOURIN — CARNET DE PLAGE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>CONVERSATIONS - VICKY SABOURIN — CARNET DE PLAGE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>CONVERSATIONS - VICKY SABOURIN — CARNET DE PLAGE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>CONVERSATIONS - VICKY SABOURIN — CARNET DE PLAGE - Make it stand out</image:title>
      <image:caption>Les Natures mortes, série Sugar Cakes (2021)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709412-KC6OADYVWQDAGYSZZC6J/still_life_tooth_small.jpeg</image:loc>
      <image:title>CONVERSATIONS - VICKY SABOURIN — CARNET DE PLAGE</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709437-ACGBMC3LMV93YY0D740T/VickySABOURIN_landart_05.jpeg</image:loc>
      <image:title>CONVERSATIONS - VICKY SABOURIN — CARNET DE PLAGE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.residenceeditions.com/conversations/2021/6/11/lesramsay-yyxg9</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709453-WZBGW8ZULTHVOVAKY6FB/Galerie+Antoine+Ertaskiran_Les+Ramsay_The+adventures+of+Atrevida+Reef_Vue+d%27exposition_Exhibition+view_7.jpg</image:loc>
      <image:title>CONVERSATIONS - LES RAMSAY - Make it stand out</image:title>
      <image:caption>The Adventures of Atrevida Reef, 2019. Exhibition view, Galerie Antoine Ertaskiran, Montreal. Photo credits: Paul Litherland</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709457-WWRQ40AFMC2I1AEV97VI/ramsay_mushrooms_the_bows.jpg</image:loc>
      <image:title>CONVERSATIONS - LES RAMSAY - Make it stand out</image:title>
      <image:caption>Pasteurization Station, 2021. Acrylic on canvas, 48” x 36”. Photo credits: Colleen Heslin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709471-RHA6I4QE6QTGSB6T45RH/TowardsGallery-LesRamsay_LC_26.jpg</image:loc>
      <image:title>CONVERSATIONS - LES RAMSAY</image:title>
      <image:caption>Night Fever, the Asylum at Dusk, 2020. 72" x 54" Photo credits: Laura Findlay</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709499-6PJPCK9N6WHTRLP1MI0A/Image%2Bdepuis%2BPages%2Bde%2Bpaintings_updatenovember2019_select%2Bflo%2C%2Bpage%2B4.png</image:loc>
      <image:title>CONVERSATIONS - LES RAMSAY</image:title>
      <image:caption>The Mystery of the Midnight Moodies, 2019. Acrylic on canvas, 72 x 54” (Towards Gallery, TO summer group show)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709492-UXDQLNOLJUAP6HT9SLNX/TowardsGallery-LesRamsay_LC_16.jpg</image:loc>
      <image:title>CONVERSATIONS - LES RAMSAY</image:title>
      <image:caption>Local Cherries Sweet Corn, 2020. Oil on canvas, 72" x 54"</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709527-RSDU9QGE0KC741375EVL/Galerie_Antoine_Ertaskiran_Les_Ramsay_2019_15.jpg</image:loc>
      <image:title>CONVERSATIONS - LES RAMSAY</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709534-RO1H2AQOUYHM61LGDK9N/TowardsGallery-LesRamsay_LC_2.jpg</image:loc>
      <image:title>CONVERSATIONS - LES RAMSAY</image:title>
      <image:caption>Photo credit: Laura Findlay</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709521-YDQUZUHRLH52T9KIYXIG/ramsay_special_thymes_2020.jpg</image:loc>
      <image:title>CONVERSATIONS - LES RAMSAY</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709546-5E6GFFN9OCQC6QQSZ14T/Galerie_Antoine_Ertaskiran_Les_Ramsay_2019_13.jpg</image:loc>
      <image:title>CONVERSATIONS - LES RAMSAY - Make it stand out</image:title>
      <image:caption>Towel, 2019. Oil on burnt sienna canvas, 30” x 24”. Photo credits: Paul Litherland</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709573-DVGK3JQHX2Q7CM2C12Y8/stuff_and_things_hirez.jpg</image:loc>
      <image:title>CONVERSATIONS - LES RAMSAY</image:title>
      <image:caption>Stuff &amp; Things, 2019 Framed needlepoint, 20.5 x 18.5”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709566-LAQ9ICYDKQKR0DRO72AT/Les+Ramsay_2017_03_Galerie+Antoine+Ertaskiran.jpg</image:loc>
      <image:title>CONVERSATIONS - LES RAMSAY</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709559-RDC4JAB6BCWUDMGE6WNZ/Les+Ramsay_2017_01_Galerie+Antoine+Ertaskiran.jpg</image:loc>
      <image:title>CONVERSATIONS - LES RAMSAY</image:title>
      <image:caption>Moss at Midnight, 2015. Gilded framed needlepoint, 23” x 19” *frame by Jonathan Syme</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709594-3MOVI8C806Z16578VDIB/TowardsGallery-LesRamsay_LC_23.jpg</image:loc>
      <image:title>CONVERSATIONS - LES RAMSAY</image:title>
      <image:caption>Left: Night Fever, the Asylum at Dusk, 2020. 72" x 54"</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.residenceeditions.com/conversations/2021/02/25/bilan-2020-partie3-wr622</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709614-0YED6RANNN7SR5QTDA24/thumbnail_bilan_2020_ares_3.jpg</image:loc>
      <image:title>CONVERSATIONS - RÉFLEXIONS SUR 2020 | REGARDS SUR 2021 — partie 3</image:title>
      <image:caption>Paysage d’outils, de matières terreuses et d’insectes — Papier 4 (crayon de bois, de plomb et de cire sur papier graphite, 2019-2021) par Maude Arès</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709618-8POM8YV4F032VX7S232Y/Partie3-1.jpg</image:loc>
      <image:title>CONVERSATIONS - RÉFLEXIONS SUR 2020 | REGARDS SUR 2021 — partie 3 - QUEL SOUHAIT FORMULEZ-VOUS À L’ENDROIT DE L’ÉCOSYSTÈME POUR 2021? Le retour à la normale ne me semble ni viable ni souhaitable. Je nous souhaite de ne pas voir 2020 comme une parenthèse, comme une pause. 2020 nous appartient aussi. Et nous en sommes autant responsables que de ce que nous ferons de 2021.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709621-VJJ6WB82RNM4F5K5IPN2/Partie3-2.jpg</image:loc>
      <image:title>CONVERSATIONS - RÉFLEXIONS SUR 2020 | REGARDS SUR 2021 — partie 3 - QUEL SOUHAIT FORMULEZ-VOUS À L’ENDROIT DE L’ÉCOSYSTÈME POUR 2021? Je souhaite que l’art contemporain et les figures déterminantes de ce milieu continuent à se réinventer afin d’ouvrir d’autres voies qui faciliteront les possibilités de créer, partager et vivre l’art sous toutes ses formes infinies.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709626-PSPX4CKI17WJ7M45PQWC/Partie3-3.jpg</image:loc>
      <image:title>CONVERSATIONS - RÉFLEXIONS SUR 2020 | REGARDS SUR 2021 — partie 3 - QUEL SOUHAIT FORMULEZ-VOUS À L’ENDROIT DE L’ÉCOSYSTÈME POUR 2021?  Que nous prenions mieux conscience de nos privilèges et de nos positions pour contribuer à une société — et à un milieu artistique — plus égalitaire. Je souhaite plus d’équité et de diversité parmi nos programmations afin de contrer les injustices identitaires ainsi que des lieux de travail inclusifs à la démocratie participative, plus attentifs à nos sensibilités collectives et respectives. Nos institutions ont le devoir d’éviter toutes formes d’oppression et de systématisation. Nous devons poursuivre les processus de dénonciation pour enfin dérégler les engrenages des mécanismes d’exclusion.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709630-CU5ZGQGRRJ4PKZWJKZ03/Partie3-4.jpg</image:loc>
      <image:title>CONVERSATIONS - RÉFLEXIONS SUR 2020 | REGARDS SUR 2021 — partie 3 - QUEL SOUHAIT FORMULEZ-VOUS À L’ENDROIT DE L’ÉCOSYSTÈME POUR 2021?  Que le milieu de l’art n’attende pas de voir une personne mourir à la télévision ou sur son cellulaire pour prendre conscience des enjeux qui touchent certaines communautés; je souhaite également que tous les centres, galeries et musées puissent oser collaborer, se polliniser, s’épauler. Comment un grand musée peut-il aider un centre et ses membres et artistes? Les centres d’artistes et certaines galeries ont offert leur vitrine à de plus jeunes projets (comme Art Matters par exemple). Je trouve que ce sont de bons exemples et ce sont des choses comme celles-là que j’espérerais voir plus.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709634-P46395O2GMRIOH5N78M6/Partie3-5.jpg</image:loc>
      <image:title>CONVERSATIONS - RÉFLEXIONS SUR 2020 | REGARDS SUR 2021 — partie 3 - WHAT DO YOU WISH FOR THE ECOSYSTEM IN 2021?   We need the world to change before art can, though it’s hard to know what, if anything, will survive the eventual throes of political and ecological catastrophe before us. I hope to one day wake up in a utopian society, but even in the worst-case scenario, I believe people will still be singing as they go down with the ship. Would anyone be happy to have a critic aboard? Perhaps merely as a witness.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.residenceeditions.com/conversations/2021/02/11-bilan-partie2-hhfbk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709644-96Z8RI86LSIQ6CYEIR4A/bilan_2020_ares_2+copie.jpg</image:loc>
      <image:title>CONVERSATIONS - RÉFLEXIONS SUR 2020 | REGARDS SUR 2021 — partie 2</image:title>
      <image:caption>Paysage d’outils, de matières terreuses et d’insectes — Papier 2 (crayon de bois, de plomb et de cire sur papier graphite, 2019-2021) par Maude Arès</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709648-3AY75W38YI9IEL7UIPXI/Partie2-1.jpg</image:loc>
      <image:title>CONVERSATIONS - RÉFLEXIONS SUR 2020 | REGARDS SUR 2021 — partie 2 - QUEL SOUHAIT FORMULEZ-VOUS À L’ENDROIT DE L’ÉCOSYSTÈME POUR 2021?   Janvier 2021, nous sommes encore en confinement, en télétravail. Ce moment nous semble tout indiqué pour approfondir notre regard sur les moyens à mettre en œuvre pour une plus grande inclusion dans les pratiques de nos institutions. Alors que les tables rondes virtuelles, les articles et les chartes sur le sujet pullulent sur le Web, nous souhaitons à l’écosystème des arts visuels de faire des pas de géant en matière d’inclusion en 2021.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709654-J9RR40MY52S2C70PD6R8/Partie2-6.jpg</image:loc>
      <image:title>CONVERSATIONS - RÉFLEXIONS SUR 2020 | REGARDS SUR 2021 — partie 2 - WHAT DO YOU WISH FOR THE ECOSYSTEM IN 2021?   To take greater concrete steps to address the lack of diversity not just in the programming and presentation of artists, but in advocating for BIPOC artists and arts workers in the personnel and on the boards of directors. To make this a long-term action rather than just jumping on the bandwagon, which I think a number of organizations are guilty of doing.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709657-591QZTJ5UXY48880W264/Partie2-3.jpg</image:loc>
      <image:title>CONVERSATIONS - RÉFLEXIONS SUR 2020 | REGARDS SUR 2021 — partie 2 - QUEL SOUHAIT FORMULEZ-VOUS À L’ENDROIT DE L’ÉCOSYSTÈME POUR 2021? Que les rassemblements soient de nouveau autorisés afin de permettre aux lieux de diffusion de rouvrir, aux festivals d’avoir lieu, aux artistes de montrer leurs œuvres devant public et ainsi stimuler une industrie qui souffre parfois plus que les autres, car jugée non essentielle à tort. Un milieu culturel fort et uni fera certainement une différence dans l’après-pandémie.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709661-NAIZY6QDIA7WFT36HE3S/Partie2-2.jpg</image:loc>
      <image:title>CONVERSATIONS - RÉFLEXIONS SUR 2020 | REGARDS SUR 2021 — partie 2 - QUEL SOUHAIT FORMULEZ-VOUS À L’ENDROIT DE L’ÉCOSYSTÈME POUR 2021?  Réfléchir aux relations de pouvoir et de domination est au cœur de la vitalité des arts. Mais une essentialisation des artistes s’est installée, puis accélérée avec l’omniprésence des réseaux sociaux, et on devrait s'en délester. Elle se traduit chez plusieurs par un sentiment de ne pas être à la hauteur des défis qui sont plus structurels qu’individuels. L’aspiration à des changements structurels ne peut peser uniquement sur des postures ou actions isolées. Nous avons besoin de coalition de pensées, de nous méfier des absolus.</image:title>
      <image:caption>Améliorer, développer et tester des modes virtuels d’exposition pouvant être salutaires pour les milieux d’éducation privés de sortie; pour partager des savoirs avec notre communauté artistique; pour continuer de faire vibrer la présence des œuvres et des artistes dans l’imaginaire public; pour réfléchir aux avantages, mais aussi aux biais que peut causer cette nouvelle frénésie numérique.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709665-6XNYRKV5WIOA1WH2FTQP/Partie2-5.jpg</image:loc>
      <image:title>CONVERSATIONS - RÉFLEXIONS SUR 2020 | REGARDS SUR 2021 — partie 2 - QUEL SOUHAIT FORMULEZ-VOUS À L’ENDROIT DE L’ÉCOSYSTÈME POUR 2021?  J’ai lu dans Le Devoir un article intitulé «Un travailleur de la culture sur quatre a perdu son emploi en 2020». Je souhaite que nous gardions espoir malgré les impacts durables qu’auront causés ces pertes d’emplois. Si plusieurs ont dû se réorienter vers des professions diverses, je souhaite que leur vision poétique et créative du monde subsiste dans celles-ci afin que les esprits artistiques puissent tout de même rayonner au quotidien.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.residenceeditions.com/conversations/2021/1/22/bilan-2020-i-ydy2l-4s785-e7zp4-snkmc</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709682-IF8NXW31831LZD7170RF/bilan_2020_ares_1+copie.jpg</image:loc>
      <image:title>CONVERSATIONS - RÉFLEXIONS SUR 2020 | REGARDS SUR 2021 — partie 1</image:title>
      <image:caption>Paysage d’outils, de matières terreuses et d’insectes — Papier 1 (crayon de bois, de plomb et de cire sur papier graphite, 2019-2021) par Maude Arès</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709690-D2E3YHSI1W1B9ZWVSNF2/Partie1-1.jpg</image:loc>
      <image:title>CONVERSATIONS - RÉFLEXIONS SUR 2020 | REGARDS SUR 2021 — partie 1 - QUEL SOUHAIT FORMULEZ-VOUS À L’ENDROIT DE L’ÉCOSYSTÈME POUR 2021?   De maintenir un cap: celui de plus d’intégration, et d’avoir conscience que le travail pour l’équité est un processus constant. L’art contemporain était vu comme un milieu où tout le monde s’aime, mais on s’est aperçu que les minorités y étaient repoussées dans la marge. Aujourd’hui, on s’interroge sur leur place, ce qui signifie que toute la structure sociale, y compris l’art contemporain, réajuste ses valeurs d’équité. Les grandes déclarations ne suffisent plus, il faut des actes concrets. Et malgré les barrières, le monde commence à devenir plus poreux vis-à-vis de la diversité.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709697-LEYC8SGQ7F0BTY92PVYU/Partie1-2.jpg</image:loc>
      <image:title>CONVERSATIONS - RÉFLEXIONS SUR 2020 | REGARDS SUR 2021 — partie 1 - QUEL SOUHAIT FORMULEZ-VOUS À L’ENDROIT DE L’ÉCOSYSTÈME POUR 2021?  Que nous puissions, surtout pour les jeunes qui héritent de nos offenses nombreuses comme de nos offrandes les plus remarquables, conserver notre espoir envers les valeurs de l’art comme lieu de partage, comme source de connaissance et de questionnement, comme moyen de «réparer» notre pauvre humanité et notre planète à chaque instant, dans la liberté et le respect.</image:title>
      <image:caption>Améliorer, développer et tester des modes virtuels d’exposition pouvant être salutaires pour les milieux d’éducation privés de sortie; pour partager des savoirs avec notre communauté artistique; pour continuer de faire vibrer la présence des œuvres et des artistes dans l’imaginaire public; pour réfléchir aux avantages, mais aussi aux biais que peut causer cette nouvelle frénésie numérique.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709704-91CF7DXOAGXF3MZVP0P5/Partie1-3.jpg</image:loc>
      <image:title>CONVERSATIONS - RÉFLEXIONS SUR 2020 | REGARDS SUR 2021 — partie 1 - QUEL SOUHAIT FORMULEZ-VOUS À L’ENDROIT DE L’ÉCOSYSTÈME POUR 2021? Je souhaite de la résilience, mais cela va de soi, alors je souhaiterais également de la bienveillance avec peut-être une certaine volonté d’un rythme plus lent, de célébration et d’autodérision face aux échecs qui surviendront nécessairement cette année.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709712-4X0LRK1PYNPEEHABKYKQ/Partie1-4.jpg</image:loc>
      <image:title>CONVERSATIONS - RÉFLEXIONS SUR 2020 | REGARDS SUR 2021 — partie 1 - WHAT DO YOU WISH FOR THE ECOSYSTEM IN 2021? It’s our responsibility, as workers in the artistic field, to do what art does: respond to the times. Right now, maybe that means streamlining. I think we should question how much attention we ask of our audiences. We should hone our sense of necessity. We should be economical with the content that we choose to put out and have clear intentions behind what we are contributing, because we’re all inundated. I’m personally trying to get better at this right now.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709720-AY3B7YP8O921BLNRI1BN/Partie1-5.jpg</image:loc>
      <image:title>CONVERSATIONS - RÉFLEXIONS SUR 2020 | REGARDS SUR 2021 — partie 1 - QUEL SOUHAIT FORMULEZ-VOUS À L’ENDROIT DE L’ÉCOSYSTÈME POUR 2021?  Mon premier souhait se formulerait ainsi: faire moins, mais mieux. La pandémie aura révélé que le temps est une notion qui n’est pas encore maîtrisable par l’humain. Si les équipes de travail ne peuvent grandir infiniment, il faut miser notamment sur le potentiel des membres tout en s’entraidant et en prenant soin les un·e·x·s des autres. Mon deuxième souhait irait à l’endroit des gouvernements: l’éducation et la culture sont des sphères essentielles qui doivent être valorisées davantage et faire l’objet d’un maillage plus étroit.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709729-EWHN004Y0XLGNA500COS/Partie1-6.jpg</image:loc>
      <image:title>CONVERSATIONS - RÉFLEXIONS SUR 2020 | REGARDS SUR 2021 — partie 1 - QUEL SOUHAIT FORMULEZ-VOUS À L’ENDROIT DE L’ÉCOSYSTÈME POUR 2021?   Je souhaite voir une plus grande diversité dans la programmation de nos institutions et une plus grande diversité au sein de leurs administrations. Je souhaite aussi des milieux de travail sains où toute personne est reconnue et appréciée pour son travail et dans lesquels la violence psychologique n’est pas tolérée.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948709737-4Y12LL9DY3Z8ZXRHA20B/Partie1-7.jpg</image:loc>
      <image:title>CONVERSATIONS - RÉFLEXIONS SUR 2020 | REGARDS SUR 2021 — partie 1 - QUEL SOUHAIT FORMULEZ-VOUS À L’ENDROIT DE L’ÉCOSYSTÈME POUR 2021?   Je souhaite que l’on tire des leçons durables de 2020. Le déboulonnage de statues a fait l’objet d’une grande attention dans la sphère médiatique; la nouvelle année devrait donner lieu à la mise en place de chantiers de réflexion fédérateurs sur les enjeux de commémoration. L’intérêt pour ce qui est local devrait être constamment valorisé, tant dans les acquisitions que font les collections (publiques comme privées) que dans les événements artistiques que nous visitons.</image:title>
    </image:image>
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    <loc>https://www.residenceeditions.com/conversations/shinobuakimoto-3bhm7</loc>
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    <lastmod>2020-09-17</lastmod>
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      <image:title>CONVERSATIONS - ARTISTS WERE PREPARED ALL ALONG (NORMALCY IS BUT AN ILLUSION) - About the photographer Marina Castagna</image:title>
      <image:caption>Marina Castagna, a Copenhagen-based Italian photographer and a regular contributor to Résidence Éditions, uses her craft to bring people’s stories to life. With a degree in anthropology under her belt, she has an almost compulsive need to document the way people live, seeing photography as a means to reveal people’s innermost selves. The pandemic hit just as Marina had started working on various photoshoots in Copenhagen with Résidence (you can see her amazing work in our conversations with Anne Torpe and Morten Halborg-Møller). With the world suddenly in lockdown, we discussed the possibility of going beyond physical barriers and doing remote photoshoots between Copenhagen and Japan. Our first attempt was with artist Shinobu Akimoto. While slightly challenging at the beginning, with Shinobu ‘inviting’ Marina into her home through a tablet, and the obvious technical difficulties this entailed, the two soon connected and explored the possibilities that arose from this beautiful and unique situation. “This situation pushed me in finding new ways of interacting and connecting with people, since the first 'virtual' shooting I did a few more and it has been a great way to be in touch and involved in people's lives. I also realized how the device I use as a photographer is just a little part of a bigger process.” While Marina thinks the new ‘normal’ will likely bring with it some discomfort, this doesn’t scare her. She thinks we’ll have to explore new ways of living in general, which will also likely mean modifying her practice. She’s fascinated by photography, going to the root of it beyond the device. Ultimately, Marina believes that being uncomfortable and more reflective can lead us to interesting and unexplored paths.</image:caption>
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    <lastmod>2020-08-16</lastmod>
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      <image:caption>Artwork by Linda Lazer / Photo: Courtesy of Morten Halborg-Møller</image:caption>
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      <image:title>CONVERSATIONS - MORTEN HALBORG-MØLLER - Tales of mere existence</image:title>
      <image:caption>This May, with shops and galleries in the Danish capital finally able to open their doors once again, Bricks Gallery held an exhibition fittingly entitled Tales of Mere Existence, a perfect reflection of the times. With several cancellations and postponements due to COVID-19, and after several weeks of having been in shock from going into lockdown after having so recently opened his new space, Morten Halborg-Møller decided to ask the young but exceptionally talented Danish artist Søren Arildsen to curate an exhibition of “quarantine drawings” from local and international art academy students who are part of a new wave of budding and exciting visual artists in Copenhagen. With the students having been denied access to their schools and studios and forced to work from home, Halborg-Møller and Arildsen were interested to see what would come out of this situation, viewing the many drawings both as an embodiment of these artists’ frustrations and despair but also as a positive output and beautiful result of countless hours of creative immersion. While digital technologies are allowing art and exhibitions to increasingly go online and reach wider audiences, this intimate and unique exhibition was proof that they will never completely replace the physical experience. Bricks sprang back to life and hummed once again with its usual warmth, the gallery filled with people eager to both take in and share the experiences of solitude they had lived during these unprecedented times.</image:caption>
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      <image:caption>“ I thought that my life would turn out in a different way. I had this wonderful daughter of mine, but I had plans of travelling the world and living in different cities. Now I'm doing paintings with souvenirs of various places from around the world. It feels like I'm travelling, but I'm not. I’m here in Copenhagen doing drawings and making paintings of places I haven’t been to and I’m putting it all together to make some kind of sense. “ — Anne Torpe</image:caption>
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      <image:caption>Following the success of Anne’s latest exhibit Familiar Strangers at Bricks Gallery in Copenhagen, where you can find most of her work, Anne was invited for an art residency at Edition Copenhagen, where she worked with expert lithographer Rasmus Urwald and his team, to explore the lithographic medium and transpose her practice to unchartered territory, thus creating a limited series of original lithographic prints. These are available at the gallery and in its online shop. The world renowned 61-year-old lithography workshop and gallery in the center of Copenhagen invites international and Danish established and emerging artists, to work with the traditional lithographic limestone printing process, one at a time. As the owners, Rasmus Urwald, Dannie Vieten and Peter Wissing Sørensen, state, this process gives the artist an opportunity to work freely to continue developing the printing process and sustain the knowledge of original lithography as a unique tool of artistic expression.</image:caption>
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      <image:caption>Normand Rajotte, Le lièvre du 23 décembre, 2015. Prêt de la Collection Desjardins / Galerie La Castiglione. Karine Payette, Hospitalité IV, 2017. Prêt de l’artiste / Galerie Art Mûr, Montréal. Benoît Aquin, Suspension (La chasse), 2002. Prêt de l’artiste / Galerie Hugues Charbonneau, Montréal. Benoît Aquin, Panache (la chasse), 2003. Collection particulière / Galerie Hugues Charbonneau, Montréal</image:caption>
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      <image:title>CONVERSATIONS - CHRIS SHARP - “Lulu tends to show a lot of painting because painting in Mexico is very taboo. Barely any mainstream spaces show any. There's an assumption that painting is somehow complicit with the market and therefore devoid of any political content or agency, which I obviously disagree with.”</image:title>
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      <image:title>CONVERSATIONS - CHRIS SHARP - How did you come to recreate Lulu’s space inside the Palais de Tokyo? I selected a single work from all of Lulu’s past solo and group exhibitions – around 45 works from 45 different artists.I programmed a different hanging inside the Lulu space every week.</image:title>
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      <image:title>CONVERSATIONS - CHRIS SHARP</image:title>
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      <image:title>CONVERSATIONS - CAROLINE MONNET</image:title>
      <image:caption>Silent as Stone Can Be, 2019, béton et mousse / Œuvre faisant partie de l’exposition Shallow Mirror Hight Tower à Arsenal Contemporary, à New York, présentée jusqu’au 9 septembre 2019</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948712552-CJOEA4Z7JSPS0Q8VAGC8/CarolineMonnet_Residence08%25C2%25A9SandraLarochelle.jpg</image:loc>
      <image:title>CONVERSATIONS - CAROLINE MONNET - Vos modèles? Alanis Obomsawin, Danis Goulet, Lisa Jackson, Helen Haig-Brown, Alethea Arnaquq-Baril, par exemple.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948712555-PEBVJT7UQV1O0ROTFM81/CarolineMonnet_Residence03%C2%A9SandraLarochelle.jpg</image:loc>
      <image:title>CONVERSATIONS - CAROLINE MONNET - Si vous en aviez l’opportunité, qui aimeriez-vous interviewer?Sophie Calle, Teresa Margolles, Nan Goldin, Lisa Reihana, qui est une artiste maori. Ce sont des artistes que je trouve vraiment intéressantes pour leur authenticité, leur fougue, et leur témérité. Je cite juste des femmes, c’est bien (rires)!</image:title>
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    <image:image>
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      <image:title>CONVERSATIONS - CAROLINE MONNET - Une journée type dans la vie de Caroline Monnet? Présentement, je suis jet lag, ce qui est parfait parce que je me lève beaucoup plus tôt qu’à l’habitude. Je ne suis pas très matinale, normalement. Je me réveille, je prends un café, je déjeune tranquillement en écoutant de la musique et je me rends à l’atelier. Je commence avec de la gestion, puis je travaille sur mes œuvres l’après-midi.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/673b70a011cbd05a48900bf9/1731948712592-3S6NT0R0U3PM29F4BO03/CarolineMonnet_Residence05%C2%A9SandraLarochelle.jpg</image:loc>
      <image:title>CONVERSATIONS - CAROLINE MONNET</image:title>
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      <image:title>CONVERSATIONS - CAROLINE MONNET</image:title>
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      <image:title>CONVERSATIONS - CAROLINE MONNET</image:title>
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      <image:caption>Flow, 2019, béton, mousse et Stability, 2019, béton, mousse</image:caption>
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